Forthcoming Talks

TBC

Selected Talks

(Contributing if not signalled otherwise)

  • “AI creativity: between processes and wellbeing functions” 
    • 6th International Conference on Philosophy of Mind: Artificial Intelligence (6ICPH), online (and in Porto, Portugal), May 2026
  • “Listening to Music – the role of the listener” 
    • Music: Perception, Meaning and Metaphysics workshop – Institute of -Advanced Study, University of Warwick, UK, May 2025 – internal presentation
    • Birmingham Women in Philosophy seminar series, UK, December 2025 - internal presentation
  • “Understanding Musical Virtuosity to Understand Auditory Perception”
    • 2025 Conference of the European Society of Aesthetics (ESA), Athens, Greece, June 2025
    • 2025 Conference of the Royal Musical Association, Southampton, UK, September 2025
    • 15th Conference of the Italian Society for Analytic Philosophy (SIFA), Alessandria, University of Eastern Piedmont, Italy, September 2023
    • Postgraduate Work in Progress Seminar Series, Department of Philosophy, University of Warwick, UK, January 2023 – internal presentation
  • “Unknown Unknowns: the Resistance to Imagination to Understand Surprise Attacks”
    • Internal Workshop on Resistance – Institute of Advanced Study, University of Warwick, UK, April 2024 – internal presentation
  • “Listening with Familiar Ears”
    • New Frontiers in Philosophy of Music Conference, UAM, Madrid, Spain, May 2026 – Invited
    • 2nd Conference of the European Network for the Philosophy of Music (ENPM), Strasburg, France, September 2025
    • 16th Conference of the Italian Society for Analytic Philosophy (SIFA), Turin, Italy, August 2025
    • OpenSession of the JointSession of the Aristotelian Society and Mind Association, UK, July 2024
    • Workshop "Llegando a saber cómo/know-how", Santiago, Universidad de Chile 2024, Chile, April 2024 - Invited
  • “Lessons from Music: what Listening to Music Can Tell us about Perceiving Speech”,
    • Workshop on Speech and Voice Perception, inside “Perceiving Voice and Speaker Project” funded by Research Council of Norway, Online event, September 2023 – Invited
  • “On the Distinctiveness of Listening to Music”,
    • METIS weekly seminar series, Madrid, Spain, April 2026 – Internal
    • OpenSession of the JointSession of the Aristotelian Society and Mind Association, UK, July 2025
    • 9th Conference of the Music and Philosophy Study Group, King’s College London, UK July 2024
    • British Postgraduate Philosophy Association online seminar series, UK, June 2023
    • LEMM: Language, Epistemology, Metaphysics and Mind, London, UK, February 2023 - Invited
  • “The Temporal Aspect of Music: the Moment, the Structure and the Action”,
    • Workshop “Time & Consciousness”, Society for the Philosophy of Time, University of Siegen and the Theatre Lo Spazio Vuoto, Imperia, Italy, 2022 – Invite"
  • “How Can Musicians Experience Music Differently? A Philosophical Proposal”
    • 3rd Joint Conference of American and European Societies for Philosophy and Psychology (ESPP + SPP), Milan, Italy, 2022 – poster
  • “Modal Judgment in Musical Performance” (co-authored)
    • 3rd Joint Conference of American and European Societies for Philosophy and Psychology (ESPP + SPP), Milan, Italy, 2022 – poster
    • Postgraduate Work in Progress Seminar Series, Department of Philosophy, University of Warwick, Online event, December 2021
  • “How to Make Sense of Different Musical Perceptual Experiences: a New Philosophical Proposal”
    • British Postgraduate Philosophy Association (BPPA) 2021 Conference: Interdisciplinary and Transdisciplinary Philosophical Thought, Online event, November 2021
    • Midlands Music Research Network (MMRN) Seminar Series, Online event, October 2021
    • Postgraduate Work in Progress Seminar Series, Department of Philosophy, University of Warwick, Online event, Respondent: Prof. Johannes Roessler, June 2021
  • “Listening as a mental action”,
    • Welcome Conference, Department of Philosophy, University of Warwick, Online event, Respondent: Dr Jack Shardlow, October 2021 – Internal presentation
    • 28th Conference of the European Society for Philosophy and Psychology 2021 (ESPP), Leipzig, Germany, Online event, September 2021
  • Reply to the paper “Music Without the Flow of Time” by Robin LePoidevin
    • Temporal Representation in Art Reading Group, final meeting, invited speaker for final meeting prof. Robin LePoidevin, Online event, June 2021 – internal presentation
  • “Listening to music: a unique active experience”
    • 11th Salzburg Conference for Young Analytic Philosophy 202, SOPhiA 2021, University of Salzburg, Department of Philosophy (KGW), Austria, Hybrid event, September 2021
    • 47th Annual Meeting of the Society for Philosophy and Psychology, SPP 2021, Online event, June & July 2021 – poster presentation
    • British Postgraduate Philosophy Association (BPPA) Seminar Series, Online event, 30 April 2021
  • “Art and Emotions: the case of Music”
    • SLMC Postgraduate Symposium “Feelings and Emotions across Languages and Cultures” School of Modern Languages and Cultures (SMLC), University of Warwick, Online event, 2021
  • “The role of knowledge in the experience of listening to music”,
    • Australasian Postgraduate Philosophy Conference 2020, Online event, 2020
  • The role of conceptualisation in DeBellis’ work on music”
    • Postgraduate Work in Progress Seminar Series, Department of Philosophy, University of Warwick, Respondent: Chenwei Nie, February 2020 – Internal presentation
  • Reply to the paper “Peacocke’s “Metaphorically-As” theory of perceiving music” by Alice Harberd
    • London, Warwick Mind Forum (autumn term), London School of Economics and Political Science, London, UK, November 2019
  • “Thinking the imperceivable: thought experiments in philosophy of auditory perception”
    • 9th Conference of the Spanish Society for Analytic Philosophy (SEFA), Valencia, Spain, November 2019
  • “Mirror and echo phenomena: between analogies and disanalogies”,
    • 15th Annual Estonian Philosophy Conference - EFAK 2019, Tallinn University of Technology, Estonia, 2019
  • “Sounds in a vacuum: a defense of O’Callaghan’s theory”,
    • Open Session, 93rd Joint Session Durham University, UK, July 2019
    • 15th Conference of the Italian Association for Cognitive Sciences, IUSS Pavia, Italy, December 2018 – selected for a poster but withdrawn
    • International Conference “To Be in One’s Senses?”, University of Koblenz- Landau, Germany, September 2018 – Invited
  • “Why sounds are better understood as events”
    • 13th International Symposium of Cognition, Logic and Communication on "Events and Objects in Perception, Cognition, and Language" University of Latvia, Laboratory for Perceptual and Cognitive Systems of Faculty of Computing, Latvia, 2018, selected for a presentation but withdrawn
  • “Can a physical account of sounds provide a good foundation for the understanding of listening to music?”
    • 9th Salzburg Conference for Young Analytic Philosophy 2018, SOPhiA 2018, University of Salzburg, Department of Philosophy (KGW), Austria, September 2018
  • “Listening and Reading: Temporalities of Musical Performance and Notation”
    • 6th World Congress and School on Universal Logic - workshop “Logic and Music”, Vichy, France, 2018

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